Thursday, December 31, 2020
December 2020 Newsletter - The Right Reds
Tuesday, December 29, 2020
Art Review - "Twilight" by Nicolai Fechin
Sunday, December 27, 2020
Plein Air Painting - "Dockside at Guanabanas" - Jupiter, Florida
This wasn't intended as a holiday themed painting, but colored lights and a warm night can sure make you feel festive.
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"Dockside At Guanabanas" • Oil on Linen • 16"x20" • Available at www.patricksaunders.com |
Thursday, December 24, 2020
Floral Painting - 2013 "Holiday Poinsettia"
Tuesday, December 22, 2020
Art Review - Winter Landscapes by Stepan Kolesnikoff - Siberia, Russia
I've always loved paintings of snow scenes, but I've never been a fan of cold weather. I guess that excludes me from personally painting any, but it doesn't mean that I can't admire the efforts of other painters.
In keeping with the holiday season, I'll be sharing a few of my favorite snow scenes for the next few #museumtourtuesdays.
Today, I'm featuring Stepan Kolesnikoff. Born in 1879, Stepan was a Russian realist painter who spent most of his life in Siberia. His work in oil and gouache won him the regard of Ilya Repin, the most distinguished Russian artist of the time.
The color palette of this first piece is just magical.
Through the use of warmer blues in the landscape surrounding the house, Stepan is able to call our attention to the structure by giving it a cool purple cast, calling it out from the swirling branches surrounding it.
Once again, Stepan
uses dramatic color temperature differences to draw our attention into
the church, and the busy color patterns of the crowd contrast nicely
with the calmness of the sky above.
One of the first things
that drew me to Stepan's work was his handling of trees. The branches
have a calligraphic feel, and you can almost feel the movement.
This piece balances both color temperature and value in order to play off the primary and secondary focal points.
The dark shape of the wolf stands out from the surrounding lightness of the snow, while the warm window stands out from the surrounding cool shadow.
© Patrick and Kimberly Saunders, Patrick Saunders Fine Arts, 2020. Unauthorized use and/or duplication of this material without express and written permission from this site’s authors/owners is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Patrick Saunders for painted works, or to Kimberly Saunders for photographs and/or videos, with appropriate and specific direction to the original content.
Sunday, December 20, 2020
Floral Art - "Unfolding" - Orange Rose Painting
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“Unfolding” • Oil on Linen • 8” x 8” • Available at www.PatrickSaunders.com |
Thursday, December 17, 2020
In Progress - Portrait Painting
Tuesday, December 15, 2020
Art Review - "Elizabeth Winthrop Chanler" by John Singer Sargent - Smithsonian American Art Museum & the Renwick Gallery, Washington, D.C.
Today's #MuseumTourTuesday features a portrait by John Singer Sargent at the Smithsonian American Art Museum and the Renwick Gallery in Washington D.C.
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"Elizabeth Winthrop Chanler" • John Singer Sargent • 1893 • Oil on Canvas • 49 3/8" x 40 1/2" |
Looking at the painting from a distance, it appears almost photographic, but Sargent's true genius is in how little he painted in order to achieve this effect.
Elizabeth Chanler was twenty-six years old when the portrait was painted, and according to Sargent had "the face of the Madonna and the eyes of a child." This was a rare compliment from the artist, who often expressed contempt for his sitters.
Elizabeth's mother died when she was young, leaving her to care for seven younger brothers and sisters, and we get the sense that Sargent had great respect for her from the sense of strength imbued in the painting.
Behind her are a painting of a Madonna and Child and a copy of a Frans Hals, one of Sargent's favorite artists.
Moving closer, you can see the almost effortless look to Sargent's brushwork, especially in the hands. The strokes are so quick and decisive, there is a sense of movement that could not be achieved with a more detailed rendering.
"Elizabeth Winthrop Chanler" Detail • John Singer Sargent • 1893 • Oil on Canvas • 49 3/8" x 40 1/2"
The pendant that she wears is simply dots and dabs of paint, fading directly into the dark fabric of her dress. This illusion of detail is what sets a master like Sargent apart from most painters, and gives his work a greater sense of reality.
"Elizabeth Winthrop Chanler" Detail • John Singer Sargent • 1893 • Oil on Canvas • 49 3/8" x 40 1/2"
Painting photos by Saunders Fine Arts.
© Patrick and Kimberly Saunders, Patrick Saunders Fine Arts, 2020. Unauthorized use and/or duplication of this material without express and written permission from this site’s authors/owners is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Patrick Saunders for painted works, or to Kimberly Saunders for photographs and/or videos, with appropriate and specific direction to the original content.
Saturday, December 12, 2020
"Tapestry" Floral Art - Oil Painters of America Eastern Regional Exhibition - Reinert Fine Art Gallery, Charleston, South Carolina
I was pleasantly surprised to learn yesterday that my entry into the Oil Painters of America 2020 Eastern Regional Exhibition at the Reinert Fine Art Gallery sold to a new collector last month.
Thursday, December 10, 2020
Holiday Floral Painting - "Holiday Star"
Tuesday, December 8, 2020
Art Review - "Symphony in White, No. 1: The White Girl" by James McNeill Whistler - National Gallery of Art, Washington, D.C.
Whistler painted this portrait of his mistress, Joanna Hiffernan, for the 1862 Royal Academy of Arts exhibition in London, where it was promptly rejected. Whistler then entered it into the 1863 Paris Salon, but was again rejected by the jury.
What did Whistler do next after these two heartbreaking rejections? He exhibited the painting in the Salon des Refusés, a protest exhibition organized by Gustave Courbet in response to the Paris Salon having rejected two-thirds of all submissions to its 1863 show.
Courbet's exhibition made history, with over one thousand visitors a day, legitimizing the emerging avant-garde in painting.
If Whistler can face multiple rejections and still move forward, we all can. The only opinion of our work that truly matters is our own.
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"Symphony in White, No. 1: The White Girl"
• James McNeill Whistler
• 1862
• Oil on Canvas
• 83 7/8" x 42 1/2" |
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Detail - "Symphony in White, No. 1: The White Girl"
• James McNeill Whistler
• 1862
• Oil on Canvas
• 83 7/8" x 42 1/2" |
Sunday, December 6, 2020
Favorite 2020 Floral Painting - "Tulips Mingling With Daffodils"
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“Tulips Mingling With Daffodils” • Oil on Linen • 16”x20” • Available at www.PatrickSaunders.com |
Thursday, December 3, 2020
Southwest Art Magazine Cover - December 2020/January 2021 Issue
I'm so incredibly honored to have another painting on the cover of Southwest Art Magazine.
Wednesday, December 2, 2020
Artist Talk - Booth Artists' Guild, Booth Western Art Museum - Cartersville, Georgia
My thanks to the Booth Western Art Museum's Booth Artists' Guild for inviting me to give an online artist talk last night.
© Patrick and Kimberly Saunders, Patrick Saunders Fine Arts, 2020. Unauthorized use and/or duplication of this material without express and written permission from this site’s authors/owners is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Patrick Saunders for painted works, or to Kimberly Saunders for photographs and/or videos, with appropriate and specific direction to the original content.
Tuesday, December 1, 2020
Art Review - "The Flower Woman" by Felicie Waldo Howell - Telfair Museum, Savannah, Georgia
Monday, November 30, 2020
November 2020 Art Newsletter - Painting Loose, Not Lax
Saturday, November 28, 2020
Holiday Gift Ideas - PSFA Fine Art Prints & Cards
Thursday, November 26, 2020
Happy Thanksgiving and Happy Painting!
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"A Welcoming Table" • Oil on Linen • 18"x24" • Private Collection |
Tuesday, November 24, 2020
Art Review - "Old Fishing Pier, Laguna" by Nicolai Fechin - Laguna Art Museum, Laguna Beach, California
For this week's #MuseumTourTuesday, I'd like to share another favorite from the Laguna Art Museum by Nicolai Fechin. Fechin has long been one of my favorites, and this represents a rare seascape by the artist.
As always with his work, I'm knocked out by the textural quality of his paint application. His use of color is notable as well. While most early 20th century California landscapes involve the use of vibrant color, much of Fechin's painting is muted with just a hint of saturated color in the water. This mostly grayed down palette perfectly captured the feeling of an early morning beach scene.
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"Old Fishing Pier, Laguna" • Nicolai Fechin • c. 1924 • Oil on Canvas |
Photo by Saunders Fine Arts.
© Patrick and Kimberly Saunders, Patrick Saunders Fine Arts, 2020. Unauthorized use and/or duplication of this material without express and written permission from this site’s authors/owners is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Patrick Saunders for painted works, or to Kimberly Saunders for photographs and/or videos, with appropriate and specific direction to the original content.
Saturday, November 21, 2020
Booth Western Art Museum 2021 Miniatures Auction - "Falling Through Flowers" Floral Painting
I just shipped this piece off to the Booth Western Art Museum for their 2021 Miniatures Auction, which will be held on February 19th, 2021.
I'm also looking forward to teaching a floral workshop at the museum this coming May. Thank you Kent Mullinax for inviting me to be a part of this event!
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"Falling Through Flowers" • Oil on Linen • 6" x 8" |
Painting photo by Saunders Fine Arts.
© Patrick and Kimberly Saunders, Patrick Saunders Fine Arts, 2020. Unauthorized use and/or duplication of this material without express and written permission from this site’s authors/owners is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Patrick Saunders for painted works, or to Kimberly Saunders for photographs and/or videos, with appropriate and specific direction to the original content.
Thursday, November 19, 2020
Throwback Thursday - Portrait Study - Coppini Academy of Fine Arts, San Antonio, Texas
Due to the pandemic, I'm missing painting from live models.
Whenever we were in San Antonio, Texas, I would attend open model sessions at the Coppini Academy of Fine Arts, one of my favorite schools in the country, with an incredibly strong group of artists.
For #ThrowBackThursday, here is one of my favorites from those sessions.
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"Mariah" • 2016 • Oil on Board • 14" x 18" • Private Collection |
Painting photo by Saunders Fine Arts.
© Patrick and Kimberly Saunders, Patrick Saunders Fine Arts, 2020. Unauthorized use and/or duplication of this material without express and written permission from this site’s authors/owners is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Patrick Saunders for painted works, or to Kimberly Saunders for photographs and/or videos, with appropriate and specific direction to the original content.
Tuesday, November 17, 2020
Art Review - "House in Laguna Beach" by Arthur Rider - Laguna Art Museum, Laguna Beach, California
For #MuseumTourTuesday, here is a painting by Arthur Rider that Kimberly and I were lucky enough to see on display at the Laguna Art Museum. The museum is small, but definitely worth visiting, as their collection is exquisite.
While much of Rider's work is reminiscent of Joaquin Sorolla, whom the artist painted with extensively in Valencia, Spain, this piece stands apart. The painting beautifully captures the feel of Laguna Beach, California from almost a century ago, and still maintains that sense today.
I particularly love the transition between the rectangular shapes in the house and laundry to the more organic shapes of the hillside and the palm tree.
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"House in Laguna Beach" • Arthur Grover Rider • c. 1934 • Oil on Canvas |
© Patrick and Kimberly Saunders, Patrick Saunders Fine Arts, 2020. Unauthorized use and/or duplication of this material without express and written permission from this site’s authors/owners is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Patrick Saunders for painted works, or to Kimberly Saunders for photographs and/or videos, with appropriate and specific direction to the original content.
Saturday, November 14, 2020
Studio Portrait Painting - In Progress
Here's an extreme closeup of an in progress painting currently on my easel. This one will feature six portraits in one large composition.
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• Oil on Linen • 6" x 8" detail of a 48" x 38" |
© Patrick and Kimberly Saunders, Patrick Saunders Fine Arts, 2020. Unauthorized use and/or duplication of this material without express and written permission from this site’s authors/owners is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Patrick Saunders for painted works, or to Kimberly Saunders for photographs and/or videos, with appropriate and specific direction to the original content.
Thursday, November 12, 2020
Throwback Thursday - Old Portrait Commission Sketches
Here are a few more of my favorite past sketches for #ThrowBackThursday. These were all created as rough layouts for oil portrait commissions. It's fun to revisit this way of working.
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“Untitled” • 2002 • Graphite • 12” x 16” • Private Collection |
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“Untitled” • 2013 • Graphite • 12” x 16” • Private Collection |
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“Untitled” • 1998 • Graphite • 9” x 12” • Private Collection |
© Patrick and Kimberly Saunders, Patrick Saunders Fine Arts, 2020. Unauthorized use and/or duplication of this material without express and written permission from this site’s authors/owners is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Patrick Saunders for painted works, or to Kimberly Saunders for photographs and/or videos, with appropriate and specific direction to the original content.
Tuesday, November 10, 2020
Art Review - "A Virgin" by Abbott Handerson Thayer - Freer Gallery of Art, Washington, D.C.
One last Abbott Handerson Thayer painting for #MuseumTourTuesday. This one is on display in the Grand Staircase Corridor at the Freer Gallery of Art.
While it's not one of the artist's most refined works, it is still quite beautiful. The folds of the fabric are exceptional in their execution. What I find most interesting about it is that even though Thayer doesn't add angel wings to his female model as in many of his other paintings, he still presents the suggestion through the positioning of the clouds in the sky.
"A Virgin" • Abbott Handerson Thayer • 1892 • Oil on Canvas • 90 7/16" x 71 7/8"
Painting photo by Saunders Fine Arts.
© Patrick and Kimberly Saunders, Patrick Saunders Fine Arts, 2020. Unauthorized use and/or duplication of this material without express and written permission from this site’s authors/owners is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Patrick Saunders for painted works, or to Kimberly Saunders for photographs and/or videos, with appropriate and specific direction to the original content.